American politics can be very depressing. The presidential campaign seems to go on forever and the dark forces of BRA seem to be calling most, if not all the shots.
Some Occidental Dissent readers and writers are even calling for the dissolution of the United States – Southrons wanting to break the South away and form a new/old/sorta old or new White Southern nation that will somehow manage to get a handle on crime, immigration, finances, EBTs, BRA etc. Looking at too many of my Chicago neighbors, Chicago pols – yeah, I can understand our Southern Kinfolk’s desire to….
And there are so many of our folks looking for some populist folk hero – a Glenn Beck, Ted Nugent, Hank Williams Jr., Toby Keith, some NASCAR driver – a regular man of the (White) people who will lead us, save us from the over/miseducated elites that dominate American politics, academia, international finance etc.
Well here’s a movie break that examined all of these themes and featured actor Andy Griffith, showing a dark side – Mayberry, NC sheriff gone bad, well, not completely bad, more like “film noir.” Andy Griffith always had that populist appeal to seduce our people. Check out this great movie, A Face in the Crowd, directed by the immortal Elia Kazan (On the Waterfront).
Here’s a short summary, review of this great, overlooked movie that is finally getting noticed and appreciated. It’s Andy Griffith’s greatest acting performance and the subjects presented speak to our current situation:
“Andy Griffith makes a spectacular film debut in this searing drama as Lonesome Rhodes, a philosophical country-western singer discovered in a tanktown jail by radio talent scout Patricia Neal and her assistant Walter Matthau. They decide that Rhodes is worthy of a radio spot, but the unforeseen result is that the gangly, aw-shucks entertainer becomes an overnight sensation not simply on radio but, thereafter, on television. As he ascends to stardom, Rhodes attracts fans, sponsors and endorsements by the carload, and soon he is the most powerful and influential entertainer on the airwaves. Beloved by his audience, Rhodes reveals himself to his intimates as a scheming, power-hungry manipulator, with Machiavellian political aspirations. He uses everyone around him, coldly discarding anyone who might impede his climb to the top (one such victim is sexy baton-twirler Lee Remick, likewise making her film debut). Just when it seems that there’s no stopping Rhodes’ megalomania, his mentor and ex-lover Neal exposes this Idol of Millions as the rat that he is. She arranges to switch on the audio during the closing credits of Rhodes’ TV program, allowing the whole nation to hear the grinning, waving Rhodes characterize them as “suckers” and “stupid idiots.” Instantly, Rhodes’ popularity rating plummets to zero. As he drunkenly wanders around his penthouse apartment, still not fully comprehending what has happened to him, Rhodes is deserted by the very associates who, hours earlier, were willing to ask “how high?” when he yelled “jump”. Written by Budd Schulberg, Face in the Crowd was not a success, possibly because it hit so close to home with idol-worshipping TV fans. Its reputation has grown in the intervening years, not only because of its value as a film but because of the novelty of seeing the traditionally easygoing Andy Griffith as so vicious and manipulative a character as Lonesome Rhodes. ~ Hal Erickson, Rovi