The Duty of White Artists in Our Struggle
European mankind has the grandest heritage in human history. We, the contemporary inhabitants of this heritage have a serious question to ask ourselves: how has this heritage been passed down to us? What I mean by this is how do we know about this heritage? Who are the guardians that have passed this heritage down to us? The answer is that they are our artists and storytellers.
If the answer was not who you were expecting than let me ask you some questions. When one thinks of the glory of the British Empire what do they think of? The legislation of Benjamin Disraeli or the stories and poetry of Rudyard Kipling? When the grandeur of the Italian Renaissance comes to mind is it the actions of countless Princes and Popes or the painting and sculptures of Da Vinci and Michelangelo? Can admirers of the Confederacy recite by heart a single speech by Jefferson Davis or can they sing songs like Dixie, The Bonnie Blue Flag, and Maryland My Maryland? Every one of these questions is answered by the latter. Artists and storytellers of European mankind have played a vital role in not only preserving our heritage but creating the heritage being preserved. And today, when European mankind is on the edge of oblivion, our artists and storytellers are more vital than ever.
For half a century dedicated men of the West have been fighting to reverse the decline of white civilization. Yet for half a century these men have continued to fail. The movement that has been fighting this decline must look at itself and admit it have been utilizing the same failing tactics again and again. These failing tactics can be summed up in one word: politics.
For half a century white leaders have been putting all of their time and energy into politics. For half a century they have told us that we need to rally around this one more candidate or win this one more election, and where has it gotten us? Nowhere. The legacy of pro-Western activism has been one of constant losing; not only losing but betrayal when it does win. A simple review of modern history shows this. In 1964 the Right rallied around Barry Goldwater as the defender of white, Christian civilization but was devastatingly defeated by the Leftist Lyndon Johnson. Not only did Mr. Goldwater lose but afterwards displayed his true colors of not supporting anything of white, Christian civilization; highlighted by his support of homosexual marriage. In the 1990s Pat Buchanan emerged as the political leader of white, Christian America and ran for president twice and both times lost big. And the most recent loser for the Right to rally around was Ron Paul. While Mr. Paul may have excited materialistic Libertarians and college students his so-called Revolution barely made a dent in the outcome of the Republican nomination and eventual election of Barack Obama. Worst of all Mr. Paul betrayed white, Christian America when he gave into the media’s pressure and said on national television that two of his heroes were Rosa Parks and Martin Luther King Jr.
Two glaring examples of betrayal when victorious occurred here in America and in France. White, Christian Americans rallied around, got elected, and still today idolize Ronald Reagan. However Mr. Reagan twice betrayed us during his presidency. The first was when he made a national holiday of the birthday of Martin Luther King Jr., the only American to have a holiday all his own. The second time was in 1986 when he passed amnesty for illegal aliens. Both of these actions have had terrible consequences for whites in America.
The betrayal in France is going on right now. After France’s Muslim population rioted through the suburbs of Paris in the fall of 2005, Nicolas Sarkozy spoke harshly against the rioters, calling them scum and saying he was going to clean them out. In many instances Mr. Sarkozy spoke harsher about the rioters than France’s traditional Nationalists party the Front National. In the 2007 elections France rallied behind him as the conservative and elected him president. Since then he has done nothing but betray the French people. From advocating more Muslim immigration into France and Europe, to declaring that Arabic is the language of the future, and most recently saying that the white French must interbreed with non-whites to somehow save France. Declaring this last statement is treasonous and nothing short of genocidal as it says that France can only survive by getting rid of the French.
This short history shows that the defenders of European mankind have foolishly always tried the same thing despite it never working. The question that must be asked is why has it never worked? Why has the political revolution that whites so desperately need not come about? It is because we have not cultivated the soil needed for such a revolution to sprout. And that soil we have neglected is our culture.
What I mean by our culture here is our art and stories. Just look at what our enemies have been doing while we have put our time and effort into political candidates. They flocked to Hollywood to make movies. They took over the publishing houses in New York. And they produced the music and television shows that have had disastrous consequences for our people. The enemies of Western man have sunk their efforts into taking over the works that touch the emotions and shape the imagination of Western man.
No white activist can rationally deny this. For 50 years the arts and entertainment in the West has become more vulgar, hedonistic, and openly anti-white. During this same period the West has rapidly picked up the pace of its decline. There is no strange coincidence here. Arts and entertainment shape our views of our people, our world, and ourselves. The enemies of European mankind know this and have masterfully used it to their advantage. Barack Obama’s election is the crowning achievement of their cultural mastery. As a young man of only 26 his election in no way shocked me the way it has so many of the older defenders of European mankind. I was born and raised in the culture that planted the seeds for this. From television shows like Family Matters, The Fresh Prince of Bel-Air, and Chappelle Show; to the overwhelming dominance of Hip-Hop and Rap in music; to countless movies about cool, ingenious, and honorable blacks starring Morgan Freeman, Denzel Washington, and Will Smith; mine has been a generation raised to see an Obama as the ideal of American perfection. He is the Will Smith of politics.
Do not be mistaken and think I’ m saying we should give up political activism and running for office. I’m not. They’re extremely important but they will never win this struggle on their own. I say again that before the successful political revolution we need a passionate artistic revolution. Two quotes from historically famous men drive home this point. Karl Marx said that Victorian authors like Charles Dickens, “…issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together…”. And Winston Churchill was quoted as saying that the book and later film adaptation of Mrs. Miniver was worth, “…six divisions of the war effort.” Here are the words of two political icons whose actions played an enormous role in Western civilization praising the power of artists. No matter what opinions one might have of either of these men their words should not be disregarded.
I write this not as a politician or pundit, scientist or scholar, but as a white artist. We white artists have two duties in this struggle for our people’s survival. The first is to keep alive our old heritage and the second is to add to it by creating a new heritage. At this moment our ancient homelands are being overrun by invading races and our treacherous elites are systematically erasing our heritage to accommodate the invaders. In the face of this we white artists must never forget what came before us. We must learn to sing the songs that have inspired our ancestors to action and comradeship. We must read the poetry that has touched our people’s hearts and the literature that has sparked our people’s imagination. We must celebrate the heroes that fought and often died for the freedom of our people. To sum up, we white artists must eternally celebrate the heritage created before us in the face of all opposition. For a people that has forgotten its heritage is like a family that has forgotten its memories together.
Just as important is that we create a new heritage. What I mean by this is that we must never act as if our greatest days are behind us. We must never assume we no longer possess the creativity and imagination to create works that rival those of history’s greatest white artists. To do this we white artists today must dedicate our lives to creating new works of art that show we have a future that will be passed down to our posterity. For we are not fighting to simply save economists and politicians, that is not our heritage, so they shouldn’t be what we rely on most. Our heritage is one of great art that only whites could have created; that’s what we’re fighting for. Poets are needed to express the souls of white folks today. Authors are needed to write stories that celebrate the experience of our people today. Painters are needed to show the beauty of our people. Musicians are needed to write songs that will lift our people out of the cynicism forced on them and inspire them to love and fight for European mankind. And filmmakers are needed to create entertainment that our people will laugh, cry, and thrill at while portraying whites in a positive light. We must bring about an artistic renaissance that will show our race that our best days are not over, and our enemies that we reject the anti-white filth they shove down our throats to poison us. We must create our own Harlem Renaissance before hoping for our own Civil Rights movement.
Those of us who love European mankind must no longer live up to the stereotypes of our enemies. Either that we are uncultured hatemongers and conspiracy theorists that have nothing to contribute to civilization; or that we are greedy fat-cats who only care about money and elections. We must show our people that we are the great artists, entertainers, and cultural guardians that people emulate and admire. Being only 26 I’m too young to have participated in the battles over integration, school busing, and other racial issues but I’m of the generation raised with the consequences of those battles. I can tell that since I had to be raised with them that the old battle tactics are failures. Our race’s enemies knew what they were doing when they flooded the arts and culture. If our people are to survive we cannot simply persuade their reason and intelligence, we must ignite their emotions and imagination.
Twitter
Facebook
Flickr
YouTube
If it is the task of politicians and rhetoricians to explicate the happenings of the day, it is no less the job of poets and storytellers to visit the creatures of myth and legend on their islands, the dead in Hades, and the unborn on their star.
We must reclaim our identity as a people. Ours was the first race to forsake who we are for the transient hopes of progress and the mere trinkets of modernity.
Problems with non-white identities in our midst are just symptoms caused by own collective ailment which makes us an impotent people. We’re behaving like a dying gazelle among jackals. Naturally they will get aggressive with us.
Really about the only place where Whites have set up a ‘counter’-culture is in the musical realm:
http://www.amren.com/ar/2000/11/index.html#cover
^^^ This is a great article (marred by the fact that it starts off with ‘White Noise’ genre, when it would be better to start off talking about other stuff like various Folk Stuff and Black Metal.
Now this stuff is nowhere near being High Culture, but it is better then nothing!!
“However Mr. Reagan twice betrayed us during his presidency. The first was when he made a national holiday of the birthday of Martin Luther King Jr., the only American to have a holiday all his own. The second time was in 1986 when he passed amnesty for illegal aliens. Both of these actions have had terrible consequences for whites in America.” ( — from the log entry)
It is my impression that Donald Regan said or implied in his tell-all book that by 1986 the Gipper had already begun showing signs of Alzheimer’s, and the United States was being run by Nancy’s medium, I forget her name, who was running the country through Nancy, telling Nancy when her husband should schedule meetings, whom he should see, what decisions he should make and when, and so on.
Don Regan wrote the book expressly to take revenge on Nancy, by spilling the beans on what was really going on, after Nancy’s medium, whom Nancy consulted daily, told her to insist that the President fire Don Regan.
The final couple of years of that Administration were a replay of Grigory Rasputin running Russia through the gullible, easily manipulated Tsarina.
We have no way of knowing who made that 1986 decision to approve the amnesty for illegals, whether the President or Nancy Reagan’s medium giving orders through Nancy.
The medium’s name was Joan Quigley.
Apparently Nancy had special private telephone lines installed so she could speak to Quigley on a minute-by-minute basis.
Fred,
As interesting as all that is please keep the comments about I’ve published please.
“Fred, As interesting as all that is please keep the comments about I’ve published please.” ( — Pip)
Pip: my comments were in response to what you published in the fifth paragraph of the log entry. Look at the quote I used to open my comment #4. Or was that not something you’ve “published”? Maybe someone else published it and signed your name to it?
A very long post…, yet expresses a higher truth.
But there is more to this than creating art to be done. Our modern environment is poor in the soil of inspiration. But our heritage is a treasure of riches. Read, note and memorize the Ancient Greeks, the Romans, the Great Europeans, America is blessed with the steel of great minds, Jefferson and Franklin are worthy to sit at the table with any Ancient. Europe is not the only homeland of patriots of genius. Confucius, Lao Tse and Sun Tzu….are one with us, they used their wisdom into battle to defeat their enemies; in peace to protect the homeland in harmony with nature . Share this wisdom with other patriots. These are your most effective weapons. This is called a ‘grimoire’ in Latin. A cache of the weapons of the mind. Knowledge of the Art Of War.
The noble idea, and the wisdom of the ancients is of the sharpest steel, the first weapon in every battle, the arms you carry in your head and heart, ready. Much of this battle is psychological, it is occult…but it still is a battle to the death. When the soul dies, the body soon follows. Lies come at you from every corner for the sole purpose to prepare you for defeat. A warrior wins victory or defeat first in his head, his heart. The war begins in your heart, the battle fought in your gut, the decision in your mind.
Armed in this manner, you cut the throat of your enemy and his lies and throw his carcass into a ditch before he has finished his sentence. He can sputter out as many more lies as he can remember, but you need not say another word. He has been slain. What is left of him is worthless, he die soon enough .
You must be armed, you must be lethal. You can give no quarter. These arts are more than weapons. They are medicine. You can heal the sick, you can raise the dead some say. Every great warrior knows these secrets. The arts of victory.
I think your message is right on. What kind of artistic work are your doing, Pip? Do you have a link you can share?
The medium is the message- Marshall McLuhan
Stop all comments on this blog, except for Alex and Socrates, for a month.
http://www.marshallmcluhan.com/
Fred,
When speaking about keeping to the article I talking about keeping to the theme of the power of artist and thier role in the WN movement. But I did mention Reagan’s amnesty distaster of ’86. If talking about it focus on its effects on white America, talking about Nancy having a physic in the White House would come of as conspiracy theory to someone new to this site and WN. It may be interesting (which it is) but is quite meaningless in the large scheme of things.
Sheldon,
I’m a film school graduate and working and making connections in order to make films for our people. I’ve made little things. I’ve also had the honor of talking with and breaking bread with Merlin Miller and Craig Bodeker, filmmakers for our cause. I also have a keen interest in literature and have finished a small collection of Nationalist poetry (not published) and am now working on long epic poem and a short story collection.
There is some good writing here. Too good, in fact, to be burdened with a silly pen name. As someone who has used and regretted my own silly pen names, I strongly advise you to change this ASAP. You will be quoted more often, forwarded more often, and feel silly less often when you use a more normal sounding pen name, like “Greg Johnson” for instance.
“talking about Nancy having a physic in the White House would come off as conspiracy theory to someone new to this site and WN.” ( — Pip)
I won’t belabor this issue because I see in you an opponent of race-replacement (correct me if I’m wrong on that), therefore an ally, and I dislike quibbling with allies.
I’ll keep it brief. In your comment you blamed Reagan for the 1986 amnesty, and my point was à propos of that.
Far from being “a conspiracy theory,” what I referred to was something divulged in Don Regan’s book — he had been President Reagan’s Secretary of the Treasury and I think Chief of Staff, so he was an Administration insider and knew what he saw with his own eyes. Moreover, his book set off a big media commotion at the time: this whole thing was widely discussed in the MSM after his tell-all book came out.
If anyone thinks it’s a “conspiracy theory” that’s their problem not mine. Let them bone up on recent U.S. presidential history.
As for your apparent preference for running an extremely tight ship in your comments threads, including delivering admonitions on an arbitrary basis, that’s your privilege. I for one will avoid commenting in your threads from now on.
It seems to me our best art forms are not necessarily high art–though our high art is impressive–but the persistence of folk forms such as country music, rock music (particularly metal but also classic rock), nature photography, taxidermy (I’m not joking), some realist paintings, war movies, and the like.
Consider this awesome South African movie, At Thy Call, which should be an inspiration to European peoples everywhere:
http://www.youtube.com/watch?v=JSegikA3rQI&feature=related
Excellent post Mr Pockets.
There is so much one could write and say about this particular topic, so much so that I’m not even sure where to start…how about: “Pro-Western and Pro-White artists: yeah, I fully agree that we need A WHOLE LOT more of them.”
As the Commies used to say before they forcibly removed the native rooted ethnic populace from their ancestral soil by herding them in to cities against their will and forcibly urbanizing them at the point of a gun: “Let a thousand flowers bloom.”
We certainly need writers (both fiction and non), musicians, painters, filmmakers, sculptors, photographers, collage-ists and poster-makers, muralists, digital graphic artists, poets/novelists, dancers, playwrights, street artists, orators, philosophers, mythmakers, and so on and so forth. I’ve dabbled in some of the above, but nothing too serious at this point in my life — I’m more of a rational and realistic non-fictional type rather than a fictional artistic/romantic type, though I agree with you PP that no movement can even so much as get off the ground without first seizing the artistic/romantic/mythic collective imagination or sociocultural Zeitgeist. We definitely need to utilize art to seep the collective unconscious of Whites in order to bring them further in to the pro-White racial nationalist fold.
There is no mention at all of the disgusting role which termitic Jewry had in corrupting White/Western art over the last 100+ years…why not? – http://whitesurvival.wordpress.com/2009/11/21/reclaiming-whitewestern-art-from-the-disgusting-clutches-of-the-international-jewish-art-mafia/
Ezra Pound on the corruption of Western art(ists) by Jewish-led Mammonism during the 20th Century — http://songlight-for-dawn.blogspot.com/2009/12/ezra-pound-murder-by-capital.html :
Well said, including Soren Renner’s poetic remarks. Leave practical politics to the activists, and meta-analysis to the intellectuals. The artists are carrying the struggle to another theatre of conflict.
Good points, that is true.
Don’t forget that The West invented most forms of electronic music too. Other forms of electronic music also sprung up and evolved in those specific non-White countries where The West exported their technology wholesale post-WWII, places like Japan, South Korea, India, etc.
It started with various electronic instruments invented in The West, which progressed to rock’n'roll with its guitars and electric bass, then punk and then metal and then industrial; but more I mean wholly electronic music, totally made with machines, made entirely with electronic music equipment and nothing else — there are now literally dozens of different styles or types of electronic music, from standard high speed old style early ‘techno’ to downbeat trip-hop, to house style, folktronica, indietronica, trance of all sorts, chilltronica, acid-jazztronica, drum’n'bass/jungle, ambient, etc etc etc.
The West invented the machines, and we also invented the music to go along with them..a lot of the most recent electronic music is totally non-organic: no vocals, no real drum-sets, just the manipulation of the machines by us to make the electronic beats/melody and the music — not coincidentally, the development of this non-organic electronic music closely parallels the ‘de-organic-ization of The West,’ i.e. our move away from the countryside and in to the cities — all of this occurred within the last 3-4 decades, a veritable explosion of electronic musical creativity which rivals any other period of The West’s musical past and which will be going far in to the future – http://en.wikipedia.org/wiki/List_of_electronic_music_genres
+ JUST A VERY SMALL SAMPLING OF INTERESTING ELECTRONIC MUSIC (listen to the tracks on a CD or MP3 for best sound, and ignore the degenerate YouTube videos because they aren’t official from the musicians):
+ http://www.youtube.com/watch?v=dQEmaj9C6ko
+ http://www.youtube.com/watch?v=e_22zOGDLx8
+ http://www.youtube.com/watch?v=2CeIo4PrZhg
+ http://www.youtube.com/watch?v=iT_x7VlSpKY
+ http://www.youtube.com/watch?v=9y5AerK5sP8
Pingback: Good Article — “The Duty of White Artists in Our Struggle” « WHITE SURVIVAL
#20 White Preservationist
Almost all forms of music were pioneered and codified by Europeans, and the rest of the world has followed the west’s lead. Music cannot really be invented, it has always existed and was brought forth by whatever was at hand. However only in one culture has music risen to such a aethereal degree.
I’ve always resented the current bullshit that the blacks have created jazz and rock n’ roll and the banjo, whatever…..(banjo?). As i tell people, blacks brought their particular sense of rythmn to white american folk music, mostly celtic, and nothing else. They did not bring the structure, it was already there and unique to America, they did not bring the instruments, and they did not bring the language, and land is America and not Africa.
You can either go to Africa, or find recordings of traditional African music – it has no relation to American jazz, blues or rock n’roll. In no way. Except Africans today copy the music structure of American black music, as a natural exchange. European (especially southeastern) folk music has 1000% more relation to American contemporary music than traditional African tribal music.
So the idea that contemporary music owes everything to the black man is propaganda lies. It does owe some debt to black rhythmic sensibility, but owes more to the white man for it’s existence.
Speaking of electronic music, it’s well worth a trip back to the original pioneers of synth pop – Kraftwerk. Many people do not realize how important and pioneering the werk of these cyborgs at Kling Klang studios was to the future of music.
Check out their site, Amazingly, they are even better than ever. Check out the photo’s and video sections – this is the best site of a music group I have seen – the execution and technique – ausfuhrung und ‘technik’ = excellent! Ausgezeichnet!
>l> http://www.kraftwerk.com/
Comments on the importance of art (including Sun Tzu’s Art of War) remind me of the decidedly non-racial claims made by Seneca:
“But we may fairly say that they alone are engaged in the true duties of life who shall wish to have Zeno, Pythagoras, Democritus, and all the other high priests of liberal studies, and Aristotle and Theophrastus, as their most intimate friends every day. No one of these will be “not at home,” no one of these will fail to have his visitor leave more happy and more devoted to himself than when he came, no one of these will allow anyone to leave him with empty hands; all mortals can meet with them by night or by day.
No one of these will force you to die, but all will teach you how to die; no one of these will wear out your years, but each will add his own years to yours; conversations with no one of these will bring you peril, the friendship of none will endanger your life, the courting of none will tax your purse. From them you will take whatever you wish; it will be no fault of theirs if you do not draw the utmost that you can desire. What happiness, what a fair old age awaits him who has offered himself as a client to these! He will have friends from whom he may seek counsel on matters great and small, whom he may consult every day about himself, from whom he may hear truth without insult, praise without flattery, and after whose likeness he may fashion himself.
We are wont to say that it was not in our power to choose the parents who fell to our lot, that they have been given to men by chance; yet we may be the sons of whomsoever we will. Households there are of noblest intellects; choose the one into which you wish to be adopted; you will inherit not merely their name, but even their property, which there will be no need to guard in a mean or niggardly spirit; the more persons you share it with, the greater it will become.”
http://www.fourhourworkweek.com/blog/2009/04/24/on-the-shortness-of-life-an-introduction-to-seneca/
Note, of course, that Seneca seems to have overlooked the notion that mortals may become effectively “immortal” by begetting many viable offspring, who will carry on the genetic line. How many of us are descended from Charlemagne?
As for art, I suggest that two websites might inspire a great deal of art:
1) http://www.rense.com
2) http://www.eugenics.net
“Can admirers of the Confederacy recite by heart a single speech by Jefferson Davis or can they sing songs like Dixie, The Bonnie Blue Flag, and Maryland My Maryland?”
__
… We are a Band of Brothers, native to the soil, fighting for the property we earned by honest toil ..
… and when our rights were threatened, the cry rose near and far, HOORAH for the Bonnie Blue Flag which bears a single star!
Fred,
I welcome all comments on my threats. I’m new to posting online with what I’m putting on this site being my first pieces. So please do comment I want and need them to make my writing better, especially negative comment that contain contructive criticism. But I simply cannot fathom how Nancy Reagan having a physic in the White House is relevant to my article about artist or WN in general. It comes off as the kind of meaningless distractions that have kept WN so immoble in America for 4 decades; what Hunter brilliantly termed “The Dark Ages” of the movement. This I have no patience for. As a Chestertonian, fun loving guy who doesn’t take himself too seriously (as shown by my pen name) I take my WN very very seriously. This is not a goddamn game to me and the other WN of my generation. The non-white majority America is our future and will exist for at least half our lives and the entire lives of our children. We don’t have the luxury of dabbling in interesting but meaningless distractions like physics in the White House unlike the older generations of the movement who HAD the luxury of a still majority white America for basically 3/4ths of a century to indulge in such inaities. I welcome comments and criticsm but have zero patience for the “take our eyes off the ball” indulgant tidbits that have made this movement a joke for 30+ years.
‘I welcome comments and criticsm but have zero patience for the “take our eyes off the ball” indulgant tidbits that have made this movement a joke for 30+ years.’
I suspect that art is almost as inherently divisive as religion, so any comment on art is almost as disruptive as religion.
However, on the topic of poetical art, I find it noteworthy that Joyce wrote: ‘Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.’
Consider what it means to go into a smithy one million times and to undertake the heavy labor needed to forge a conscience for one’s race.
Art, at its most challenging, can be as obscene and wearying as Joyce’s Ulysses. Like that book, I fear that the new art will have many stern critics. The medium of electronic bulletin boards may well be insufficient for such a stressful trial.
@Dagezhu
Choice. I will read those pages and thanks to you.
@pip pockets
to answer critics with charges they are responsible for decades of immobility and the dark ages is to humiliate yourself. Fred’s comments were noteworthy and historically relevant. Your animus for Fred recalls another Fred. Leave all that behind and treat everyone with respect, and you will be respected for your worthy efforts – even if we criticize you – we will laud you for your effort. Give it time and trust your readers. Learn from them. Put your faith in them and trust them, and they will have faith in you and trust you.
Criticism will make you think, it will make you better. Never fight your critics. Engage them. Understand them and discuss with them what you do not understand. This will make what you write as valuable to you as it to others. The immediate comments and criticism is what makes putting your work on line so valuable. As dagezhu says, it is a fiery forge, and you’ll be burnt often. But it takes a long time and a hot fire to mold steel and forge a work to hone into a masterwork. Keep your attention on your work and not on the burns. In the end the burns will be your pride as much as your work.
I think a worthy subject of study for any nationalist of any kind are the various romantic nationalist movements of Europe of the 19th Century, particularly those coupled with national unification or national liberation struggles as in Poland, Serbia, and elsewhere. All of these movements took a long while, most preceded political action with several generations of artistic and cultural struggle, complete with national poets, epic poems, paintings, etc., some featured abortive and premature military action which was tragically crushed (as in the 1863 uprising of Poles against Russia), but all followed this timeline: cultural renewal and romantic and symbolic rousing to unity followed by poltical and military struggle.
Great writing and great comments about getting serious and STAYING serious about this movement.
In the past few months a myriad of sites and blogs have popped up giving men and women like you a forum to demonstrate their talents and their vision. At the same time, those sites have also sometimes become nothing more than gossip web-columns. When this occurs it sounds like a 1000 hens clucking at my feet. Yet, there are more and more great minds with even greater ideas bubbling to the surface. Let’s make a conscious effort to reinforce that trend and simply ignore the trolls who peddle their petty irritations.
I truly am reinvigorated by the substance that is currently out there. The interaction is dynamic and rife with intellectual depth. I like to think we are ALL carving out a cultural space for the next generation. Our parents were fools for buying into the State-Sponsored Ideology of Political Correctness. They should have had the brains and the guts to scream, “NO!” whenever it tried to oppress them. But, they were too busy consuming and gawking at the TV. We, on the other hand, are busily – and sometimes clumsily – constructing a vision which our children will easily feel at home in. This is OUR collective duty. The next generation – the ones who are already out there looking up to us – will be the New Heroes of our people. But, make no mistake: WE will be fighting right along side them. We will determine where the battles will be fought. We will determine OUR own rules of discourse.
For right now being “serious” is the least we can do to bring about the change we all want and deserve. The time for revelry will come when the enemies of our people are separated from us by at least one ocean. At that point, you are all cordially invited to my front porch for pints of beer and oversized barbecued turkey legs. Until then, Back to the Battlefield!
PP:“Why has the political revolution that whites so desperately need not come about? It is because we have not cultivated the soil needed for such a revolution to sprout. And that soil we have neglected is our culture.”
The leftists have to churn out propaganda 24/7 because their ideology is unnatural. But we do not need to cultivate anything, as our culture is really in ourselves, in our genes. We simply need freedom from the leftists and race-replacists.
“Just look at what our enemies have been doing while we have put our time and effort into political candidates. They flocked to Hollywood to make movies. “
We are overwhelmed by immigration, rap music, and Hollywood vulgarity because our institutions have been hijacked by a minority, not because Jews and leftists are good artists. There is no shortage of good and decent white artists, but they tend to remain unemployed because we do not control the distribution channels.
“before the successful political revolution we need a passionate artistic revolution.”
I think we need a political uprising before artistic creation by normal, decent people becomes possible again. The destruction of white civilization by the [beep!beep!] should be a huge source of artistic inspiration, but there is nothing to be seen. That is because our enemies are in charge. They need to be toppled.
I think what we need is artistico-political, anti-beep-beep propaganda. For example, we need good slogans, political cartoons and songs… But this isn’t the same as real art. Real art is usually not about politics.
“We white artists have two duties in this struggle for our people’s survival. The first is to keep alive our old heritage and the second is to add to it by creating a new heritage.”
Healthy artistic creation will naturally flourish as soon as we can live in a normal beep-beep-free environment.
“Authors are needed to write stories that celebrate the experience of our people today. Painters are needed to show the beauty of our people. Musicians are needed to write songs that will lift our people out of the cynicism forced on them and inspire them to love and fight for European mankind.”
What’s needed is television and radio stations, as well as private schools.
Armor:”I think what we need is artistico-political, anti-beep-beep propaganda. ”
I’m not sure what you mean by “anti-beep-beep.” I thought it had been resolved that Kraftwerk was and is good for whites.
As for artistico-political, the first step requires no creative talent, just loyalty to aesthetic standards. Specifically, I think Roach is on the right track when he says: “I think a worthy subject of study for any nationalist of any kind are the various romantic nationalist movements of Europe of the 19th Century, particularly those coupled with national unification or national liberation struggles as in Poland, Serbia, and elsewhere.”
Ladies and gentlemen, may I present art history:
http://www.peterpaulrubens.org/
http://www.ibiblio.org/wm/paint/auth/blake/
http://www.wga.hu/frames-e.html?/html/f/fuseli/index.html
The first step is for non-creative types to create a steady drumbeat proclaiming the cultural superiority of classical white art.
As White Preservationist mentioned, electronic music was invented by whites. The second step is for existing white elements in modern culture – whether they be Kraftwerk or Kraftschlag – to be identified. This takes no active creative talent, just political consciousness and aesthetic awareness.
The third step is for the creative types – Kurtagic might be a leader in the creative efforts, he has written a fiction book – to crank up *new* art celebrating whiteness. The “goth” aesthetic of pale skin might be a starting point; death metal and neofolk and martial-industrial and white punk are the beach-head.
I bear no ill will toward any art; I simply want to live in a world where Blake and Waterhouse and Bach and the Pre-Raphaelites have not been forgotten.
I should have put these links in earlier, but both of these are from the Rense site:
Arminius:
http://www.soaringeaglesgallery.com/
Ezra Pound:
http://www.rense.com/general89/ez.htm
I find the post and comments for WHITE PRESERVATIONIST very sickening and somewhat misguided, and desperate to say the least.
Your so called heroes of Europe were scavengers and thieves who robbed other nations of their ingenuity. The Greeks, The Romans. They would have been nothing without the Egyptians from North Africa.
Your so called inventors would not have been able to understand the meaning of the far-fetched concept called “civilized”, which you white monkeys all think you innately embody, without non-white people, not referring to the 100s and thousands of slaves that were brought across the shores to help you trigger happy red-necks to construct the very publishing, film and music industry you whites dominate today.
We all know who has the most talent and genius when it comes to any of the arts that promote positive change, and who set the precedent for the trends that continually grow.
You guys, you whites who advocate such backward behavior better not come to South Africa for the 2010 world cup because your enemies’ relatives are here. So please stay where you are and keep on making your “white art”..
Kindly requested from a non-white artist.
Black South African “Art & Civilization”:
1. Fill tire with gasoline
2. Insert human being into tire
3. Light human being on fire
4. Dance around with a look of crazed joy in your eyes
This is the Black South African way to “promote positive change”